October 7th, 2008

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Songwriting and politics

I briefly skipped across something in a feed a few days back referring to this, but I didn’t realize what song the campaign was using, which means I didn’t realize the songwriter in question is none other than my neighbor, Gretchen Peters.

From the Los Angeles Times:

Once again, nice flag-waving title, and the chorus generally sounds pretty upbeat:

Let freedom ring
Let the white dove sing
Let the whole world know that today is the day of a reckoning
Let the weak be strong
Let the right be wrong
Roll the stone away
Let the guilty pay
It’s Independence Day

That penultimate line is the giveaway. The song, written by Nashville veteran Gretchen Peters, tells the story of the mother of an 8-year-old daughter who escapes an abusive husband by torching their house, with him still inside.

“The fact that the McCain/Palin campaign is using a song about an abused woman as a rallying cry for their vice presidential candidate, a woman who would ban abortion even in cases of rape and incest, is beyond irony,” Peters said. “They are co-opting the song, completely overlooking the context and message, and using it to promote a candidate who would set women’s rights back decades.”

[…]

Now Peters says she’ll be donating her songwriting royalties from the song to Planned Parenthood — in Palin’s name. “I hope with the additional income provided by the McCain/Palin campaign, Planned Parenthood will be able to help many more women in need,” Peters said.

It’s certainly not the first time politicians have used a song for a campaign without paying attention to its underlying message, but it’s arguably one of the more bewildering usages.

Originally published at The Bee Hive. You can comment here or there.

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The 100 Biggest Top 100 Hits

From Mi2N, the Music Industry News Network comes this release. Wondering how it was determined?

The list was compiled by Cashbox chart archivist Randy Price using a progressive inverse point system applied to the positions each record held on the weekly Top 100 charts. In addition, a compensation factor was calculated for each year to allow for more-meaningful comparisons among the chart performances of records from the earlier decades and those from more-recent years, when the average stay on the chart was much longer. Records that had two or more separate chart runs are ranked based on their combined point totals.

The first song from the ’90s that shows up is this:

4. END OF THE ROAD - Boyz II Men (Motown) - 1992

Really? Yikes.

The first one from the ’80s?

12. ENDLESS LOVE - Diana Ross & Lionel Richie (Motown) - 1981

Why do hit songs always seem so embarrassing in retrospect?

Originally published at The Bee Hive. You can comment here or there.

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July 2009

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